Varsham carries the stamp of Ranjith Sankar which is enhanced by Mammootty's presence.
The film cannot be taken seriously, says Paresh C Palicha.
Nayana has some interesting performances but it is only in the second half that we come to the real story.
The film is so heavy with messages that the story or narration takes a backseat.
The storyline sounds simple and thin but the way it is presented makes Ithihasa worth watching.
The film is watchable for its earnest performances.
Tamaar Padaar is a below average, barely watchable film.
Biju Menon excels while Aju Varghese provides ample support in Vellimoonga.
What would happen if you get a bagful of money and do not see the real owner around? Go watch Fahadh Faasil's Money Ratnam to find out the answer.
Theatre director, Joy Matthew has made a comeback to films after 26 years and he is busy like never before.
Njan is not a completely satisfying film, but it is a courageous effort.
Saptamasree Taskaraha is an enjoyable comic thriller, says Paresh C Palicha.
Bhaiyya Bhaiyya does provide a few chuckles, but nothing substantial.
Rajadhi Raja is a lacklustre Onam release, writes Paresh C Palicha.
Peruchazhi is not up to the mark especially since it underutilises an actor of Mohanlal's caliber.
The star cast is in top form with every character etched perfectly.
The film has a problem with pacing and lags a few times but the director uses these moments to add meat to the characters.
The story does not have any subtlety, everything that the director wishes to convey has been overtly pronounced by the actors through their dialogues.
Anoop Menon and Joy Mathew along with Dulquar Salman and Namitha have given a decent performance in the film.
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